Drawings and studies of space. In 2010, the obsession began of trying to deconstruct intuitive patterns that we see in our world and capture through photography. The deconstructions followed this process: take a collection of photos capturing each time a visual moment draws on one's attention, superpose elements from each photo that draw on one's attention into one drawing, find common elements. The first drawings were presented with a sound installation, equally seeking to find intuitive patterns that emerge in sound. In parallel to each photo being taken, notes were taken on the details that drew on one's attention. In 2012, the process evolved, a drawing became a blueprint for a series of paintings. In 2015, the drawing's blueprint became the structure for sculpture and sound (a manual system was followed to use the lines to create chords). The first sound sculpture prototype is displayed at the bottom of the page. The latest process alternates between a rather objective looking and a subjective output.
The drawings below are from as early as 2015. Each drawing represents a day of walking through the city on a normal routine taking pictures of moments that attract one's eye. The dark lines are lines in common between multiple photos. The first image is the result of 2 weeks of drawings, superposing about 100 photos. The others represent 1 day. These drawings are used to communicate how time and space can be imagined as malleable, and not so linear.
The drawings also seek to evolve two-dimensional renderings beyond the Renaissance idea of portraying 'realism' through one- and two-point perspective. They are meant to create an open-mindedness, elasticize the imagination, and evoke a more empathic multi-perspective way of observing space.
